Thursday, January 17, 2013

New key to organism complexity identified

Jan. 17, 2013 ? The enormously diverse complexity seen amongst individual species within the animal kingdom evolved from a surprisingly small gene pool. For example, mice effectively serve as medical research models because humans and mice share 80-percent of the same protein-coding genes. The key to morphological and behavioral complexity, a growing body of scientific evidence suggests, is the regulation of gene expression by a family of DNA-binding proteins called "transcription factors." Now, a team of researchers with the U.S. Department of Energy's Lawrence Berkeley National Laboratory (Berkeley Lab) and the University of California (UC) Berkeley has discovered the secret behind how one these critical transcription factors is able to perform -- a split personality.

Using a technique called single-particle cryo-electron microscopy, the team, which was led by biophysicist Eva Nogales, showed that the transcription factor known as "TFIID" can co-exist in two distinct structural states. These two states -- the canonical and the rearranged -- differ only in the translocation of a single substructural element -- known as lobe A -- by 100 angstroms (an atom of hydrogen is about one angstrom in diameter). This structural shift enables initiation of the transcription process by which the genetic message of DNA is copied to RNA for the eventual production of proteins.

"TFIID by itself fluctuates between the canonical and rearranged states," Nogales says. "When TFIID becomes bound to another transcription factor, TFIIA, it shifts mostly to the canonical state, but in the presence of both TFIIA and DNA, the TFIID shifts to the rearranged state, which enables recognition and binding to key DNA sequences and marks the start of the transcriptional process."

Understanding the reorganization of TFIID and its role in transcription provides new insight into the regulation of gene expression, Nogales says, a process critical to the growth, development, health and survival of all organisms.

Nogales is a leading authority on electron microscopy and holds joint appointments with Berkeley Lab, the University of California (UC) at Berkeley, and the Howard Hughes Medical Institute (HHMI). She is the corresponding author of a paper describing this research in the journal Cell, titled "Human TFIID Binds to Core Promoter DNA in a Reorganized Structural State." Co-authors are Michael Cianfrocco, George Kassavetis, Patricia Grob, Jie Fang, Tamar Juven-Gershon and James Kadonaga.

The growing number of organisms whose genomes have been sequenced and made available for comparative analyses shows that the total number of genes in an organism's genome is no measure of its complexity. The fruit fly, Drosophila, for example, is far more complex than the nematode worm, Caenorhabditis elegans, but has about 6,000 fewer genes than the worm's 20,000. The total number of human genes is estimated to fall somewhere between 30,000 and 40,000. By comparison, the expression of the genes of both the fruit fly and the nematode are regulated through about 1,000 transcription factors, whereas the human genome boasts approximately 3,000 transcription factors. That multiple transcription factors often act in various combinations with one another creates even more evolutionary roads to organism complexity.

"Although the number of protein coding genes has remained fairly constant throughout metazoan evolution, the number of regulatory DNA elements has increased dramatically," Nogales says. "Our discovery of the existence of two structurally and functionally distinct forms of TFIID suggests a potential molecular mechanism by which a combination of transcription factors can tune the expression level of genes and thereby give rise to a diversity of outcomes."

Despite its critical role in transcription, high-resolution structural information of TFIID has been restricted to crystal structures of a handful of protein subunits and domains. Nogales and her colleagues are the first group to obtain three-dimensional visualization of human TFIID that is bound to DNA. The single-particle cryo-electron microscopy technique they employed records a series of two-dimensional images of an individual molecules or macromolecular complexes frozen in random orientations, then computationally combines these images into high-resolution 3D reconstructions.

"Through cryo-EM and extensive image-sorting, we found that TFIID exhibits a surprising degree of flexibility, moving its lobe A, a region that covers approximately one-third of the complex, by 100 angstroms across its central channel," says Cianfrocco, lead author of the Cell paper. "This movement of the lobe A is absolutely essential for TFIID to bind to DNA."

Nogales says that while many macromolecular complexes are known to be flexible, this typically involves the limited movement of a small region within the complex, or some tiny motion of the entire complex. The movement of TFIID's lobe A represents an entire restructuring that dramatically alters what the molecule can do. In the canonical state, TFIID's lobe A is bound to its lobe C, which appears to be the preferred form of free TFIID. In the rearranged state, TFIID's lobe A is bound to its lobe B, which is the state in which it can then strongly bind to DNA promoters.

"The TFIIA molecule serves as the mediator for this transition, maintaining TFIID in the canonical state in the absence of DNA and initiating the formation of the rearranged state in the presence of promoter DNA," Cianfrocco says. "Without the presence of TFIIA, the binding of TFIID to DNA is very weak."

Nogales and her colleagues are now studying how TFIID, once it is bound to DNA, recruits the rest of the machinery required to transcribe the genetic message into RNA.

"Our new work will involve constructing a macromolecular complex that is well over two million Daltons in size, which is about the size of a bacterial ribosome," Nogales says. "The size and relative instability of our complex will represent a major experimental challenge."

This work was supported by grants from the National Institutes of Health and the Human Frontier in Science Program in Strasbourg, Germany, and the Howard Hughes Medical Institute.

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The above story is reprinted from materials provided by DOE/Lawrence Berkeley National Laboratory.

Note: Materials may be edited for content and length. For further information, please contact the source cited above.


Journal Reference:

  1. Michael?A. Cianfrocco, George?A. Kassavetis, Patricia Grob, Jie Fang, Tamar Juven-Gershon, James?T. Kadonaga, Eva Nogales. Human TFIID Binds to Core Promoter DNA in a Reorganized Structural State. Cell, 2013; 152 (1-2): 120 DOI: 10.1016/j.cell.2012.12.005

Note: If no author is given, the source is cited instead.

Disclaimer: Views expressed in this article do not necessarily reflect those of ScienceDaily or its staff.

Source: http://feeds.sciencedaily.com/~r/sciencedaily/most_popular/~3/BdLIy5s81YE/130117133356.htm

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Naming rights money is part of NFL game

CLEVELAND - The first time I entered Cleveland Browns Stadium it was to cover preparations for an evening where the guys on the field were to perform at the highest level to a cheering crowd.

It was a summer evening in 1999 when opera stars Luciana Pavarotti, Jose Carreras and Placido Domingo -- The Three Tenors -- filled the new ballpark with song while backed up by the world-renown Cleveland Orchestra.

That was the first large event held at the then-new Cleveland Browns Stadium.

On Tuesday, there was a different kind of music filling the air of the stadium. It was the sound of millions of dollars being exchanged.?

First Energy, headquartered in Akron, bought the naming rights to the stadium.? It was enough to make Cleveland Browns owner Jimmy Haslam offer a smile as bright as a 1,l000-watt light bulb.?Probably even brighter.? FirstEnergy Chief Executive Officer Tony Alexander beamed too, knowing his company's name would be emblazoned all over the stadium.

Until this point, the Cleveland Browns had been one of only a handful of NFL teams without a corporate sponsor's name on their home.?That changes now as the Browns and FirstEnergy huddled and came up with a play to benefit both.

Mums the word on how much money and for how long the contract will run.? However, the Cleveland City Council will have its say because the stadium is owned by the city and leased to the Browns.?No one expects any changes in the call of the play because of that. What is evident is the amount of importance professional sports puts on naming rights of its stadiums.

Naming rights are a big-time player on the competitive sports field. When Haslam bought the Browns last year, he gave every indication he would seek new streams of money.

His $1 billion-investment brought new energy to the Browns, to Cleveland and the rest of Northeast Ohio.?Soon, the name FirstEnergy will be lit and new electric signs?will flood across the highest points of the stadium that bears its name.??

The money FirstEnergy?pays for that privilege will go into the Browns treasury to be used to run the team and pay the huge costs any NFL franchise has on its payroll.?No doubt, FirstEnergy will energize Haslam's Cleveland Browns even more.?

At the official announcement of the name rights deal, Haslam presented Alexander a Cleveland Browns jersey bearing the FirstEnergy name over number 1.?That signifies just how a big a deal this is.?

So let there be light.?In this instance, FirstEnergy, which supplies a lot of it,?will supply a lot more.

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Copyright 2013 Scripps Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

Source: http://www.newsnet5.com/dpp/news/local_news/cleveland_metro/Leon-Bibb-FirstEnergys-purchase-of-Cleveland-Browns-Stadium-naming-rights-puts-more-light-on-team

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How To Make a Justin Bieber Song

Justin Bieber What exactly goes into a Justin Bieber hit like ?Thought of You"?

Photograph by Chris McKay/Getty Images for Jingle Ball 2012.

If you haven?t yet heard the Justin Bieber song ?Thought of You,? it is only a matter of time. It?s the ninth track on Bieber?s third album,?Believe, and while it has yet to hit airwaves as a single, its earworm potential is undeniable.?There?s something joyous about the way all the sounds come in and start grooving together, a blend of sugary synths, handclaps, and sirens. The song demonstrates the weird mix of euphoria and precision that now characterizes pop music: Every note sounds focus-group tested and groomed to perfection. You get the sense that the man behind the track is part composer, part gem cutter, and part drill sergeant.

The man behind ?Thought of You? is Ariel Rechtshaid. He is a 32-year-old music writer and producer who has worked with a notably diverse set of artists, including Usher, Cass McCombs, Snoop Dogg, We Are Scientists, Glasser, and Theophilus London. He masterminded the 2005 platinum-selling ballad ?Hey There Delilah? by the Plain White T?s and is a veteran performer in his own right: He played guitar and sang for a ska-punk band called the Hippos in high school and later helped launch an indie rock outfit, Foreign Born. As a producer, Rechtshaid isn?t as well known as Max Martin, Dr. Luke, or David Guetta (they?re the kings of production, he?s still a prince), but a string of wise partnerships, including an ongoing alliance with Philadelphia-based hit-maker Diplo, makes him an artist to watch. He lives in Los Angeles, where like many in the business, he uses the audio production software Pro Tools to compose, edit, and mix sounds. But, he told me in an interview recently, he?s also stocked his studio with more old-school technologies: guitars and synths, drum machines, and analog recording equipment. ?I?m big into playing and recording everything, then reviewing it, cutting out moments that feel good and bringing them together, just seeing what comes of it,? he says.

While Rechtshaid?s songs have the deliberate, micro-managed feel of a lot of modern pop music, they come about through experimentation. Rechtshaid builds songs from the ground up, without a particular vision in mind. He describes messing around with chords on the piano or guitar, haphazardly throwing in drum tracks, running everything through various distortions. One of his rules is not to repeat himself. That means trying to outrun not only the so-called ?formula??a typical hit?s rote journey through intro, verse, pre-chorus, chorus, lift, bridge, and outro?but his own instincts. ?I realized at a certain point that everything I knew, all my intuition, always got me to a place that I could predict,? Rechtshaid explains. ?That?s less inspiring than when something unpredictable happens.?

What?s the most unusual song he?s ever worked on? He points to ?Climax,? by Usher, which he describes as ?all tension and very little release.? Restless for a slow jam but reflective for a club track, the song throbs and smolders instead of ?arcing? like a standard R&B tune. (It also just claimed the number three spot on the Pazz and Jop 2012 Singles chart).

But on a basic level, Rechtshaid says, pursuing the unpredictable just comes down to making counterintuitive choices sound-by-sound?reaching for sample B when he wants to use sample A. That he takes pride in rarely deploying the same sound twice shows how far pop music has come from the days when every hit consisted of guitar, drums, bass, and maybe keyboard. (For comparison?s sake, today?s standard audio production software includes more than 75 virtual instruments. These can be modified to create thousands of sounds?not counting all the sounds you can collect by recording actual instruments, running them through filters, and applying various effects such as fades and echoes. A single composition on Pro Tools can support up to 256 simultaneous tracks, and the typical pop smash layers at least 30. Overachievers like the Pink song ?Raise Your Glass? incorporate more than 90.)

As a music fan and as a producer, Rechtshaid is genre-fluid. He loves Nirvana and Kurt Cobain; he admires Britney Spears for releasing songs that feel ?clear and concise and 100 percent communicative.? Some of his heroes include the Ramones, Fleetwood Mac, and Joy Division because ?they have their own sounds? and ?when the song comes on you can tell whose it is.?

At times he comes close to denying that his own works share any aesthetic at all. He believes his job involves getting inside a band?s headspace and channeling its peculiar spirit?because ?every artist, every project, should be unique.? If a common theme does animate his work, it may be some version of Ezra Pound?s injunction to make it new. ?I strive to create music that doesn?t sound like anything else,? he says. (At one point I ask him how it feels to reinvent the wheel every time he sits down to write. He replies that it?s probably not good for his mental health.)

As for the hits themselves, each one has its own origin story. Sometimes an artist will call and request a track from scratch. Sometimes the call comes after Rechtshaid has already been toying with a few ideas and has a portfolio to vend. Sometimes he brings an artist what he thinks will be a beautiful fit and the artist rejects it. Sometimes, after that, the two begin an impromptu brainstorming session that produces radio gold.

Source: http://feeds.slate.com/click.phdo?i=807093702ebd52855467b963431e9ad9

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Wednesday, January 16, 2013

Sprint offering Total Equipment insurance for iPhone on January 25th

Sprint offering Total Equipment insurance for iPhone on January 25th

After opting not to offer its Total Equipment Protection (TEP) service to iPhone customers, Sprint appears to have turned over a new leaf. An anonymous tipster has shared an internal screenshot with us noting that starting on January 25th, the carrier will start allowing its iPhone users to select TEP as an equipment insurance option. Similar to its policy with AppleCare+, Sprint will give customers 30 days from the date of purchase to add TEP to their account at a monthly charge of $11. However, unlike Apple's in-house coverage plan, Total Equipment Protection claims come with hefty deductibles ranging from $150 - $200, instead of a one time upfront charge. So, if you were looking to pick up an iPhone from Sprint and AppleCare+ wasn't exactly ringing your bell, you'll soon have an additional insurance option in less than a fortnight.

[Thanks, anonymous]

Source: http://www.engadget.com/2013/01/16/sprint-total-equipment-protection-iphone/

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Morgan Stanley Cuts Asia Commodity Jobs, Nomura Head Leaves, BofA Appoints

Barter, who was named head of U.K. investment banking at Nomura in November 2009 after joining from Citigroup Inc., spent his last day at the firm on December 31st, according to the FSA register. He worked on a team advising Xstrata Plc (XTA) on its purchase by Glencore International Plc (GLEN) for $33bn, creating the world?s fourth-biggest mining company in the biggest deal last year.

Slater, based in Singapore, and Toh in Hong Kong will focus on expanding the bank?s business in derivatives and structured products.

Vic Daniels Profile Pic

Vic Daniels

Vic Daniels is publisher of Here Is The City and a well known City of London recruiter.

Source: http://hereisthecity.com/2013/01/16/morgan-stanley-cuts-asia-commodity-jobs-nomura-head-leaves-bofa/

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Heck, Even Cavemen Can Use This Feature: Video Web Recorder ...

AudioAcrobat-Video Web Recorder

It?s been a couple of weeks since I?ve had the opportunity to create a new video for AudioAcrobat, but in today?s post I?m overjoyed to share with you the very first ?feature? video of its kind!

This new video can be seen by clicking the image above or by visiting this direct link, and focuses on one of our favorite features, the Video Web Recorder. ?In this video, viewers will learn several important facts about AudioAcrobat?s Video Web Recorder, without being bored to death (I promise), including:

  1. Who can benefit from using AudioAcrobat?s Video Web Recorder
  2. What AudioAcrobat?s Video Web Recorder is/does
  3. Where to access AudioAcrobat?s Video Web Recorder
  4. When to start using AudioAcrobat?s Video Web Recorder
  5. Why your business should use the Video Web Recorder, and
  6. How the Video Web Recorder can be used to grow your business

Feel like reading words on a screen instead of rotting your brain with moving images? ?If so, I?ve made the transcript of the video available for those of you who consider yourselves, as Bill Hicks would say, ?readers?, right here:

AudioAcrobat?s Video Web Recorder is the easiest way to record and host online videos, using nothing more than your Webcam and internet connection.?

The best part is that there?s no need to spend time uploading or converting your video prior to sharing with your audience.?

Placing your video on the Blog, Website, Email, Newsletter or Social Network of your choice requires nothing more than a couple of clicks and/or a copy and paste.

AudioAcrobat?s Video Web Recorder satisfies a variety of today?s real-world solutions, including the ability to easily and effectively convey important messages, generate income, donations, revenue and sales and helps to increase web traffic for many fields and industries, such as?

Advertisers, Authors, Astrologers, Bloggers, Coaches, Critics, Doctors, Inventors, Journalists, Marketers, Musicians, Non Profit and Religious Organizations, Radio/TV Hosts, Sales Teams, Teachers and Website Owners.?

Heck, even Cavemen can get in on the action!

Sign up for a 30-Day Free Trial today at AudioAcrobat.com and get started right away!

If you have any questions or would like to explore other ideas on how to best use this feature to grow your business, please get in touch with us at AudioAcrobat.com!

Did you find the above video/transcript helpful? ?Were you inspired to start using the feature? ?Please let us know!

Comment below and connect with us for daily updates!

Want to learn more about AudioAcrobat? Go ahead, give it a try yourself by signing up for a 30 day Free Trial or join one of our FREE Training Classes without signing up for squat. Already have an account? Login HERE.

Did you know that AudioAcrobat has a built-in affiliate referral program? Earn 33% commissions, monthly!

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Source: http://audioacrobat.wordpress.com/2013/01/16/heck-even-cavemen-can-use-this-feature-video-web-recorder/

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Jeep in talks to build some vehicles in China

Published: Jan 14, 2013 at 9:20 AM PST
DETROIT (AP) ? The head of Chrysler LLC's Jeep brand says the company is in talks to build some of its vehicles in China for that market.

Jeep's President and CEO Mike Manley told reporters during press previews for the North American International Auto Show in Detroit that any production would be "relatively incremental." Jeep sells several models in China, including the Grand Cherokee, Wrangler and Compass.

Chrysler is owned by Italian carmaker Fiat SpA. Manley says Jeep has been talking with a Fiat partner in China about production.

Manley says the Wrangler always will be built in the U.S. and the brand's home is "always going to be" the U.S.

During the 2012 presidential campaign, GOP candidate Mitt Romney came under criticism for an ad saying Chrysler would build Jeeps in China.

Source: http://www.kval.com/news/business/Jeep-in-talks-to-build-some-vehicles-in-China-186806111.html

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